Design and Decorative Arts Collection

Jurgen Bey, <i>Vacuum Cleaner</i> de la collection « Dust », 2004, FNAC 05-397 © Jurgen Bey / Cnap/ photo: Yves Chenot

Jurgen Bey, <i>Vacuum Cleaner</i> de la collection « Dust », 2004, FNAC 05-397 © Jurgen Bey / Cnap/ photo: Yves Chenot

Erik Jan Kwakkel, Peter van der Jagt et Arnout Visser, Hella Jongerius, Dick Van Hoff, Korpershoek Matijs. Éléments de salle de bains Dry Bathing : panneau mural et accessoires, 1995-1998. Éditeur : Droog design © Adagp, Paris/ Cnap / photo: Yves Chenot

Gaetano Pesce, <i>Untitled Chiat /Day Phone</i> de la collection « Chiat/Day », 1994, FNAC 2015-0312 © Gaetano Pesce / photo : Yves Chenot

Brynjar SIGURÐARSON, <i>Hanging light</i>, 2013. Collection « The Silent Village ». Achat à la galerie Kreo © Fabrice Gousset courtesy Galerie Kreo

Ettore Sottsass, <i>Carlton</i>, 1980, FNAC 1980. Éditeur : Memphis, Pregnana Milanese (Italie) © Adagp/ Cnap / photo: Michel-Alain Barjou

Ionna Vautrin, <i>Le Bestiaire</i>, 2015. Collection de 14 déguisements d’enfants. Achat à la Cité du Design de Saint-Étienne

Anastase Charles
Tenue <i>Kimono</i>
2001
FNAC 01-816(1à9)
3/13

© D.R/Cnap/Photo : Y. Chenot

Apple
<i>PowerBook G4 17</i>
2005
Ordinateur portable, écran TFT 17 pouces avec clavier rétro éclairé, détecteur de
lumière, système de détection des mouvements brusques (Sudden Motion Sensor)
Plastique, métal
FNAC 05-1241(1à7)

© D.R/Cnap/Photo : Y. Chenot

Ron Arad
Fauteuil <i>The Big E</i>
2002
Éditeur Moroso (Italie)
Polyéthylène recyclable rotomoulé monobloc teinté rouge
FNAC 03-673

© D.R/Cnap

Erwan & Ronan Bouroullec
Bibliothèque <i>Hommage à Charlotte</i>
2000
Éditeur Galerie Neotu
Étagères moulées en polyester antichoc (IPS) gris, socle en bois laqué gris, parois en verre sérigraphié de couleur, raidisseurs en bois laqué gris en forme de T ou L
FNAC 01-058(1à21)

© D.R/Cnap/ photo : Bruno Scotti

Achille Castiglioni
Bibliothèque <i>Joy</i>
1989
Éditeur Zanotta (Italie)
Bibliothèque à rayons pivotants
Structure porteuse en acier verni à chaud noir, éléments verticaux et horizontaux en
bois aggloméré avec renforts en acier; finition frêne à pores ouverts plaqué et verni
noir
FNAC 02-282

© D.R/Cnap/Photo : Bruno Scotti

Matali Crasset
Chaise longue <i>Nature morte à habiter : (méridienne) #</i>3
2007
Éditeur Thaddaeus Ropac - Paris,
Multiplis de bouleau, vernis polyuréthane et peinture laquée, plastique
FNAC 07-621

© ADAGP/Cnap/ photo : Galerie Thaddaeus Ropac

Garouste & Bonetti
Lampe à poser <i>Civa</i>
1990
Éditeur B.G.H. Editions (France)
Bronze massif doré
FNAC 93637
5/13

© ADAGP/Cnap/Photo : Jean Tholance/Les Arts Décoratifs

Konstantin Grcic
<i>Myto</i>
2008
Édition Plank (Ora - Italie)
Chaise empilable à piètement en porte-à-faux
FNAC 08-533 à 08-540

© D.R/Cnap/Photo : Silvera

Hermès
Sac à main <i>Kelly</i>
1935
Éditeur Hermès International (France)
FNAC 08-831(1à3)

© D.R/Cnap/Photo : Y. Chenot

Shiro Kuramata
Fauteuil <i>Miss Blanche</i>
1989
Éditeur Kuramata Design Office (Japon)
FNAC 90207

© D.R/Cnap/Photo : Galerie Yves Gastou

Enzo Mari
Mobilier <i>Mariolino, Mariolina</i>
2002/2003
Éditeur Magis (Motta di Livenza - Italie)
FNAC 04-378 à 04-382

© Enzo Mari/Cnap/Photo : Y. Chenot

Jasper Morrison
Cafetière <i>CT 800</i>
2004
FNAC 04-329(1à5)

© D.R/Cnap/Photo : Y. Chenot

Gaetano Pesce
Vase <i>Amazonia</i>
2007/2009
FNAC 09-233

© Gaetano Pesce/Cnap/Photo : TRANLUCENT - Fish Design (Italie)

Radi Designers
Tapis <i>Vu</i>, 2008
Éditeur TOOLSGalerie (France)
FNAC AD09-2(40)
12/13

© D.R/Cnap/Photo : RADIVU – TOOLSGalerie

Martin Szekely
Chaise longue <i>Pi</i>
1984
Éditeur Galerie Neotu
FNAC 2818

© Martin Szekely/Cnap/Photo : Jean Tholance/Les Arts Décoratifs

OVER THIRTY YEARS OF PURCHASES TO BUILD A MAJOR COLLECTION
In 1981, the area of decorative arts, industrial design and crafts was added to the collection, and a specific Commission was created with its own budget. It was born out of the willingness to encompass the diversity and vitality of contemporary design. After regular purchases, based on the recommendations of figures from various backgrounds (experts from the Ministry of Culture, but also designers, journalists and independent curators), the collection has grown to include close to 9,500 pieces including including commissions, by over 2,200 artists and designers. It reflects the developments and diversity in this very broad field, and rather than telling a historical story, it does so through a series of views on and interpretations of what it is today.

Building on a historical core of State commissions, the collection is one of the foremost collections of contemporary design in Europe. Important monographic series illustrate the work of iconic designers on the European scene, including Ettore Sottsass, Alessandro Mendini, Gaetano Pesce, Jasper Morrison, Martin Szekely and Philippe Starck. From Ronan and Erwan Bouroullec to the Radi Designers, Matali Crasset, Droog Design and 5.5, the leading figures of the last decade are also well represented. The works produced in the context of State commissions, such as the ceramics that emerged from the experiment of “Designers à Vallauris” (1998-2001) also contribute to the uniqueness of this collection. Driven by a prospective approach, the CNAP also endeavors to acquire the works of emerging figures such as Julien Carretero and Émilie Voirin. Lastly, the fields of activity of the Commission were recently extended to the area of graphic design, leading to an expansion of the collections in 2010 to include a number of significant pieces, such as Pierre Di Sciullo’s Qui ? Résiste journal series, a series of models by Peter Knapp, and Philippe Millot’s books.

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A DIVERSE COLLECTION, REFLECTING A MULTI-FACETED PRODUCTION
The collection explores a wide range of areas: furniture, tableware, lighting, textiles, but also jewelry, household appliances, new technologies and fashion accessories. Innovative cycles, “nomadic items” such as USB keys and mobile phones, and even Apple products have thus been recently added to the collections.

This typological diversity is mirrored by a wide range of production methods and circuits. One-off pieces, artifacts made using traditional or new processes, prototypes and industrial products all reflect the diversity of practices and the large number of people involved: designers, publishers, gallery owners, craftspeople and manufacturers.

The issue of the one vs. the many is pervasive throughout the field of design, and therefore throughout the collection, raising the question of the status of the object. Everyday icons, such as gas bottles and Vélibs, thus appear alongside experimental pieces, produced in a few copies, such as Mathieu Lehanneur’s weather station/mirror on the world, Demain est un autre jour, and the lamp Surface tension by the collective Front Design, which replaces the traditional light bulb with ephemeral soap bubbles.

The collection thus illustrates the changes in the domestic landscape and the ways of inhabiting the world. The question of the transformation of lifestyles and the significance of new production methods, in the time of 3D printing and open source technologies, fuel the discussions on future acquisitions.

 

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Updated: March 2 2021